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A CAMRA Heritage Pub for its outstanding interior; Art Deco features date from 1938, a part of an office and flat development with characteristic detailing and metal windows, what many inter-war pubs looked like before modern changes. The John's Mews entrance leads into a small wood-panelled lounge, whilst the corner entrance leads you into a larger bar decorated with artwork, but no longer with original lino flooring.
The back room features a number of original private booths and there are two in the front bar added more recently. Now calls itself under the abbreviated Duke but (of York) features still on the pub sign. In nearby Doughty Street can be found the Charles Dickens Museum, the author's only surviving London home. Current footfall and trade in this area is insufficient to warrant more than 2 cask beers being on.
Historic Interest
Grade II listing:- designed in 1937 by Denis Edmund Harrington and completed by 1938. Minor later alterations. The PUBLIC HOUSE has a strong period character and it is very likely that most of its fabric is original. A basic floor plan of the pub interior was published as part of the architects' designs for the building and shows the two main rooms, labelled 'Saloon Bar' (now the restaurant) and 'Public Bar' (now the main bar), with a small 'Private Bar' partitioned off from the public bar in between the two. A door now closed off by the booths in the main bar indicates where this private bar was originally located. The bar counter in the basic plan curves sinously in the main bar, and differs from the current arrangement. It is not unlikely that that the inclusion of a bar counter in the plan was intended to give an indication of the room's function, however, rather than being a detailed design. Indeed, the fabric evidence in the public house suggests a different arrangement was created when the pub was fitted out, perhaps under the direction of the first landlord. The jazzy pink, white and black-patterned lino is in a design and condition that suggests it is original to the building. The lino follows the profile of the current bar counter in both rooms, suggesting it too is original. The joinery of the bar counter and bar front in both parts of the pub is also consistent with a 1930s date. Booths and panelling in the saloon bar are likely to be original too: they are in a design of the period (stained timber with darker raised bands) and form a coherent ensemble that appears purpose-fitted in this room. One partition has a fluted glass transom, another convincing period detail. The saloon bar also has an original fireplace, shown on the architects' plan, with a brick surround and timber mantelpiece. The booths in the public bar are known to be late-C20 sympathetic additions, but the panelling here matches that in the saloon bar and so may be original. The fabric evidence of the interior strongly suggests the current fixtures and fittings are original to the building.
Two star - A pub interior of very special national historic interest
Listed status: II
The pub is part of Mytre House, a development of 1937–8 by architect D. E. Harrington. There had been a pub on the site previously, hence its incorporation into the new development. The most important space is the lounge at the back which retains three original seating booths with timber and reeded glass dividers between them, the idea of which might have been borrowed from the Cittie of Yorke, a shortish distance away on High Holborn (XXX). Similar but rather more utilitarian booths were installed in the public bar probably in the 1960s or 1970s and blocked the doorway to what had been an off-sales. The Ind Coope frosted and lettered glass no doubt date from the same time. The counters are original although the upper shelving of the bar-backs seems later. The loos still have their original 1930s tiling.
An Art Deco treasure dating from 1938, this pub has numerous original features, including two separate rooms connected by a narrow doorway.
The pub is part of an offices and flat development and, like the rest of the block, has characteristic 1930s detailing and metal-framed windows. Decoration is pared down to a minimum and the fittings are sleek and undemonstrative. The counters have plain vertical fronts with that in the former public bar at the front having the typical London feature of a door for servicing beer engines in past times, and both counters have linoleum inlaid tops. The bar-backs are simple and functional.
In the former saloon bar at the rear, or lounge according to the glazed panel in the door, there's an original brick fire surround and several Art Deco mirrors. The most prominent feature in here is a series of small, open drinking booths with timber and reeded glass partitions between them. The similar seating in the former public bar is a sympathetic addition from later in the 20th century. The windows are modern replacements, apart from the Ind Coope "Double Diamond" one which looks to be from the 1960s or 1970s. A now unused door between the public and saloon bars used to lead into a "private bar", but this area has now been subsumed into the public bar, making it the larger of the two rooms.
This Pub serves 2 changing beers and 0 regular beers. Varies
Duke, London
Source: National
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